In the past 24 hours I've received invitations to two great film-related events on October 15th. Both are political in nature, but one focuses more on built space while the other is essentially cultural criticism. Lucky for you they are not happening at the same time, so it would be easy to attend both!
In chronological order:
Event 1 -- Hollywood Film in the Era of Bush/Cheney:
A Contested Terrain
Dr. Douglas Kellner (UCLA)
Friday, October 15 at 4:00PM
BANNAN 102 (on the Seattle University campus)
Dr. Kellner’s talk will present some motifs from his recent book, Cinema Wars: Hollywood Film and Politics in the Bush/Cheney Era, which provides an exploration of contemporary Hollywood film in the 2000s. His thesis is that during an era of unparalleled socio-political turbulence and conflict, Hollywood film can be seen as a contested terrain between conservative and liberal forces. Examining a wide range of films, genres, and filmmakers, he documents how many popular films reproduce conservative and militarist discourses that replicate the positions of the Bush-Cheney regime, while other films criticize or satirize the conservative administration. He will engage both fictional entertainment films and documentary films in what he calls, “The Golden Age of Documentary.” In sum, he wants to document how Hollywood film in the 2000s has been a vibrant force of social protest, which helped create cultural conditions to elect Barack Obama. His talk will also address themes that will structure a second volume of his Cinema Wars studies that engage cultural wars over gender, sexuality, race, and class in contemporary cinema and that updates the first volume by engaging Hollywood cinema in the Obama Era.
Dr. Douglas Kellner is George Kneller Chair in the Philosophy of Education at UCLA and is author of many books on social theory, politics, history, and culture. Author of Herbert Marcuse and the Crisis of Marxism, Kellner is editing the collected papers of Herbert Marcuse, four volumes of which have appeared with Routledge. Kellner’s Guys and Guns Amok: Domestic Terrorism and School Shootings from the Oklahoma City Bombings to the Virginia Tech Massacre won the 2008 AESA award as the best book on education. Blackwell published Kellner’s newest book, Cinema Wars: Hollywood Film and Politics in the Bush/Cheney Era, earlier this year. His website is at:
Copies of Cinema Wars will be available for sale. The talk is proudly made possible by the Seattle University Philosophy Fellowship and is free and open to the public.
Event 2 -- You Cannot Kill Us, We Are a Part of You
Two sneak preview screenings of
You Cannot Kill Us, We Are a Part of You
Friday, October 15, 2010 7:00pm and 9:00pm
The AV Club in Georgetown, Seattle
$10.00 suggested donation, at the door
60 minutes, in English. Directed by Richard Jackman and Robert Lawson. A brief discussion will follow each screening. The 7:00pm screening will be captioned, with ASL interpreted discussion following the screening.
This screening of You Cannot Kill Us, We Are a Part You is funded by the City of Seattle Office of Arts and Cultural Affairs.
You Cannot Kill Us, We Are a Part of You tells the story of the "free state" of Christiania, a 39-year-old anarchist squatter community occupying an abandoned military base in the heart of Denmark's capital, Copenhagen.
Christiania was born in 1971 when youthful idealism and a severe housing shortage incited hundreds of young people to "storm the gates" and claim 85 acres of deserted brick buildings, woods, ramparts and canals as their home. Finding it politically unpopular to evict the young settlers, the Danish government declared Christiania a short-term "social experiment."
With the freedom to experiment, the Christianites built a distinct culture based on group consensus, and a thriving economy of restaurants, bars, cottage industries, and an open hashish trade. In every respect, Christiania became an alternative that challenged, inspired, and frightened the society outside.
39 years later, Christiania is still alive, despite increasingly uneasy relations with the Danish government, which plans to "normalize" Christiania. After years of struggle and compromise, many say that the end is near for this famous "social experiment."
The AV Club will also feature Laura Wright’s multimedia installation Ohio, funded by the City of Seattle Office of Arts and Cultural Affairs, simulating the sounds and landscape of Ohio on a summer night. Several films will be screened at the AV Club this fall. Email firstname.lastname@example.org for more information.
The AV Club is a metal building behind Georgetown’s Tacoma Screw Store in the alley between Flora Ave and Ellis Ave S. It is located behind the house at 6225 Ellis Ave S., Seattle, WA 98108. Please enter through the alley, there is no access from the front of the house. There is street parking on Ellis Ave, Flora Ave, 12th Ave South, and S Angelo St. Busses 60, 106 and 134 will take you to Georgetown.
For driving directions and further information about the screening, please visit www.busno8.com